Showing posts with label adventure. Show all posts
Showing posts with label adventure. Show all posts

Saturday, February 9, 2013

Joaquim Ronning & Espen Sandberg's Kon-Tiki - Hopeful Ambitions


Norwegian Thor Heyerdahl had his head in the clouds when he theorized that the Peruvians have crossed the tumultuous oceans to reach Polynesia at the other side of the globe way before Christopher Columbus and other European explorers did. This couldn't be possible because before Columbus, gigantic galleon and navigational ships weren't conceptualized yet. But Heyerdahl insisted that the ancient South Americans succeeded to do so by floating away on a raft made of balsa wood, merely utilizing the stars in the heavens as navigational guide. This would be purely conjecture if kept unproven, right? Even scientific societies thought this was lunacy. National Geographic Society balked at Heyerdahl's lofty ambition. “We don’t fund suicide missions,” they said.



 To prove a point, Heyerdahl organizes his team; gathering a crew of 5, constructs a balsa wood raft aptly named after an Incan sun god called “Kon-Tiki”, begs for donations, then in 1947, he starts sailing the immense, albeit occasionally hostile oceans from Collao, Peru. For 101 days, Heyerdahl sets to arduously sail 8,000 kilometers of the vast waters. Will they succeed? Armed with a journal and a moving camera, Heyerdahl and his crew indeed lived to see the day, with nothing but a parakeet as casualty. What’s better, he was able to document their prodigious voyage. The film eventually won Best Documentary at the Oscars in 1951.

 Man’s unflinching thirst for adventure is on full display in Joachim Ronning and Espen Sandberg’s compelling “Kon-Tiki”, nominated this year for Oscar’s Best Foreign Language Film, an entry from Norway. Coming close under the heels of Ang Lee’sLife of Pi”, we are once more treated to the immense and enigmatic beauty of the oceans and its rhapsodical and tumultuous power. Heyerdahl also succeeds to prove that the oceans are not barriers of exploration, but avenues of transport, in a time when most of the Earth’s waters were an intimidating conundrum. Like Ang Lee’s gorgeous ouvre, “Kon-Tiki” offers familiar encounters: flying fish, ravenous sharks, blistering sunlight, raging thunderstorms, and encounters with gigantic whale sharks.

Seamlessly told, the film is buoyed by the charismatic performance of (inhale deeply first before reading this aloud) Pal Sverre Valheim Hagen who embraces his character with earnestness. He actually resembles Ryan Gosling: his piercing gaze, particularly. “Kon-Tiki” is Norway’s most expensively produced film and, rightfully, 2012’s highest grossing movie of the country. It earned more than $14 million in domestic ticket sales. It is also the first Norwegian film nominated for both the Oscars and the Golden Globe. 

The film is characterized by a rousing spirit that could provide hopeful inspiration for those who live with lofty dreams. If you don’t have such ambition, then this flick can, at the very least, guarantee a huge smile once the credits start rolling.

This is one of Blush's highly recommended movies.


Thor Heyerdahl

In 1951, Heyerdahl's documentary about his 1947 voyage won Best Documentary at the Oscars.

Pal Sverre Valheim Hagen
Norwegian actor Pal Sverre Valheim Hagen and Hollywood A-Lister Ryan Gosling (above) might as well be brothers.

Jakob Oftebro plays Torstein Raaby

French Polynesia



Saturday, July 7, 2012

Abraham Lincoln: Vampire Hunter - Tweaking History


 Abraham Lincoln was the 16th president of the United States of America. Before he became one, he suffered a lot of deaths: his grandfather was killed by Indians and his mother died of "milk sickness" (a disease entity that killed hundreds during those days, and involved ingestion of milk with tremetol, leading to trembling, vomiting, abdominal pain, and death). The alleged truth behind the latter is a little more cantankerous: she was killed by a vampire named Jack Barts (Marton Csokas), while 9 year old Abe was looking on. Since then, he has vowed retribution. Then he meets Henry Sturgess (Dominic Cooper) who says he could mentor on the effective ways of annihilating a fanged creature - but only if Abe follows what he tells him to do. He then starts a new life in Massachusetts where he becomes a store keeper by day; vampire hunter by night.

One day, he falls in love with a customer Mary Todd (Mary Elizabeth Winstead). While she isn't aware of Abe's extra curricular activities, she suspects there's more to her beau's nocturnal activities. But didn't his mentor Henry warn him against any relations, family or lover? Moreover, Abe attains considerable political clout. Public service seems like a vocation.

Will his association with Mary affect his predator-hunting ways? Why is the Confederate losing so much men at the frontier during the Civil War?


Mashing up history and over-the-top fiction is a choleric proposition because one is bound to cross boundaries that a lot of people are uncomfortable dealing with. Besides, tweaking a real person's biography only works in well postulated (and superbly written) situations. Sadly, director Timur Bekmambetov (Russian-Kazakh director of the superb "Night Watch" and "Day Watch") isn't a seamless story teller. Though masterful where fluid action is concerned, Bekmambetov's narrative is too implausible to be truly enjoyed. So the South used to be teeming with blood suckers? Where have they gone? Why were they selective with their catch (the population of negroes were sacrificed)? What's with the use of "silvers" in their fight against vampires - the film employs biblical references, i.e. the "silvers" paid to Judas to betray Jesus, thus has since become the symbol of the cursed. However, a mere "symbol" doesn't necessarily become a monster's Achilles heel, does it? Isn't Bekmambetov a little confused with this detail? Too much of "Twilight" sure discombobulates people, debah? Suddenly, vampires easily succumb to silvers? Not to sunlight? Nor crucifixes? Not to heart impalements or holy water? Oh how these creatures have evolved in a matter of three years!

Benjamin Walker is perfectly cast as the young Abraham, although it is jarring how this baby-face eventually turns into the Abe Lincoln that we know - heavily bearded and stern faced. To be honest, I didn't know who Walker was, except that he's Meryl Streep's son-in-law (husband of Mammie Gummer, Streep's daughter), but he should make mom Meryl proud  for his emotive skills. Walker is charming and intuitive; dashing and imposing (how can he not be, he stands 6'3"). Besides, it's always a tall order depicting a popular historical figure. Remember Edgar Allan Poe? Or J. Edgar Hoover?

As the film's latter third unravels into a slambang actioner - with axes flying and floating around like a willful boomerang, it soon becomes clear that the film is dictated, not by narrative innovations or brilliance, but by this Hollywood sickness, i.e. blockbuster mentality. This makes the flick a little "too commercial" - and a lot more illogical. That isn't good.  







Benjamin Walker plays Abraham Lincoln

Benjamin Walker

Mary Elizabeth Winstead

Mary Elizabeth Winstead plays Mary Todd who eventually became Mrs. Lincoln.

Dominic Cooper is Henry, Abe's mentor.

Marton Csokas

Rufus Sewell is Adam, vampire head honcho.