I'll be damned.
After not having posted any blogs here, Joel Lamangan would seem to dominate my pages. First off, there was the passable "When I Met You". Then there's the interesting indie, "Fuschia" which had a compelling narrative but tepid film-making, as well as disappointing bordeline performances from some of the industry's otherwise reliable veterans - Gloria Romero, Robert Arevalo and Eddie Garcia.
The movie itself could probably be divided in three parts - the light comic chapter, the dramatic segment peppered with sob stories, then the concluding action thriller-cum-pseudopolitical commentary, complete with guns and goons that's always seen in 98% of Joel Lamangan movies. As always, there are gun-toting matons riding a jeep, harassing people, kidnapping or mugging a character or two. This ouvre is also a glaring example of the limitations that even veteran performers like the aforementioned stars suffer in the hands of a mediocre script. Arevalo's supposed funny verbal tirades against Eddie Garcia kept falling flat. But it is heartening to see Ms. Romero churn out a charming, albeit spunky performance. She would have made Anita Linda's award-winning "Adora" a lot more engaging since we feel that most of the acclaim in the latter has been overrated. Bad bad me for bad mouthing veterans? Nah, just saying as I see it.
The movie itself could probably be divided in three parts - the light comic chapter, the dramatic segment peppered with sob stories, then the concluding action thriller-cum-pseudopolitical commentary, complete with guns and goons that's always seen in 98% of Joel Lamangan movies. As always, there are gun-toting matons riding a jeep, harassing people, kidnapping or mugging a character or two. This ouvre is also a glaring example of the limitations that even veteran performers like the aforementioned stars suffer in the hands of a mediocre script. Arevalo's supposed funny verbal tirades against Eddie Garcia kept falling flat. But it is heartening to see Ms. Romero churn out a charming, albeit spunky performance. She would have made Anita Linda's award-winning "Adora" a lot more engaging since we feel that most of the acclaim in the latter has been overrated. Bad bad me for bad mouthing veterans? Nah, just saying as I see it.
In Lamangan's oft-repeated cinematic imaginings, this is where we see bad politicos and corrupt police men who possess hordes of big burly men carrying guns, swatting poor denizens in their way. You guessed it too? Brilliant. Then you can predict the outcome of this story. These same burly contravidas were seemingly transplanted straight from "Fuschia" and even Lamangan's "Walang Kawala (No Way Out)" with Joseph Bitangcol and Polo Ravales. Only, this familiar reincarnation of metropolitan squalor has 3, no, 4 full frontal male genitalia swinging all over the celluloid canvas in wild abandon. Akala ko, anatomy class. Hahahaha.
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