Sherman Diaz and Jigs Garcia (Jay
Enriquez and Iman Rivera) share a
seemingly blissful three-year relationship. While hard working Sherman works as
a garment store clerk, impetuous Jigs awaits for two things: a nursing board
exam and a Canadian visa. When impressible Kiko (Rei-Jan Reinoso) moves in next door, Jigs starts getting ideas
about their bedroom proclivities. After all, both Sherman and Jigs are
uncompromising “tops”. And isn’t it convenient that the next-door
minor seems like a compliant ally who harbors a crush on Jigs’ affable lover? Though
Sherman initially balked at the idea, Jigs eventually prevails. But Sherman
warns it’s going to be their “first and
last time” with Kiko, he tells both guys. But for Kiko, the ball just
started rolling and he falls deeper in love. Moreover, Kiko’s presence stirs green-eyed
monsters in Jigs. Trouble is, Kiko has turned suicidal one time Sherman drove
him away. Humans are, after all, creatures of emotions, not just instinct and
sexual impulses. One cannot completely engage in sex absolutely devoid of
emotion. That’s what separates us from beasts.
But the call of the flesh is sometimes irresistible even for lovers. Jigs
gets caught sodomizing Kiko when Sherman was supposed to be away. Another eventful
day, Sherman surrenders to the seductive lure of former housemate Joel (Jeff
Luna), not realizing that 1) his freeloading lover is stealing money from his
stash; 2) he was being set-up and videotaped by Jigs. Once Sherman learns of
the ruse, there’s nothing left to do but part ways. These turn of events
downspirals into an act of violence that turns the lives of our protagonists
upside down. Is there still a future worth waiting for Sherman and Jigs
together? What becomes of Kiko? Will Arnold (Drigo Padil), Sherman’s long time friend and co-worker, successfully
insinuate his affection into Sherman’s heart?
Sherman and Jigs |
Rei-Jan Reinoso is the impressionable minor Kiko. |
The film isn’t completely devoid of merit in terms of
narrative content. How would one face deception, which is a valid concern
especially among same-sex relationships (men, gay or otherwise, are by nature polygamous)? In which adulterous demeanor do you amplify fortitude or offer
forgiveness? Director Han Salazar offers middling answers, simply because his
story telling is as inept as his film making skill. It doesn't offer viable answers. Salazar is
further scuffed by his predilection to show off his actors’ “assets” so while
high-profile Pink Film directors like G.A. Villafuerte (this talentless director scours the radio, late TV and social media to promote his vomit-inducing films) always fails to “deliver the goods”, Salazar successfully
offers full frontal scenes from
Enriquez, Rivera and Reinoso (and they’re not
just blink-and-you-miss moments). In
short, the raison d’etre of this
genre flick is actually fulfilled. Is this exploitative? How can anyone argue
otherwise?
Jay Enriquez and Iman Rivera aren’t bad for newcomers, but they offer
perfunctory more than inspired performances. It’s actually Rei-Jan Reinoso who’s
able to impart a sense of subservience to his “curious and infatuated minor”
role. Earlier publicity items claim that he was a mere minor when they filmed this,
thus its alleged dilemma with the MTRCB, but I guess this was just an interest-generating rumor. The genre’s audience would lap it up knowing it had issues at
the censor’s board. However, I’ve seen links showing Rei-Jan as a doting father
to his real life child. This should make him not quite the innocent that he is
perceived to be, right?
Jeff Luna, playing Joel, shows a smudge of improvement in delivery –
and this is good news. Pink Films' "it-boy" is finally moving forward. In fact, Jeff isn’t as monotonous here as he was in his previous films. But his side
story (he’s cash strapped, thus cannot afford a placement fee for his job
application in KSA) is rather an “intervening
item” in a fledgling narrative. In one scene, Jeff is shown storming away
from his girlfriend. He was livid with anger because his overseas application
was forfeited when his girlfriend (Jesica
Ruiz) clandestinely reveals to Jeff’s employers that she is pregnant! Why would
that even matter? It’s not like Jeff and Jesica were married in the story. More
importantly, the company was hiring Jeff, not Jesica!
Director Han Salazar (“4some”,
“Fling”) would do well with a better
script. He may also fare better with less exploitative tack. Haven't we had enough of flicks that paint the contemporary world as one filled with horned out guys who -jeepers! - all turn out homosexual? It’s about time Salazar takes full advantage of his learnings from past assistant directorial stints - “Dekada ‘70”, “Feng Shui”, “Minsan Pa”, etc. Hasn't he learned anything from Chito Rono? If he doesn’t improve in his next project, then it’s high time he dig himself a cave and stay there as long as I'm paying my own admission fees. That should make this world a better place. Obviously.
Sherman fantasizes about Joel. |
Then Joel shows up to seduce Sherman. |
Jay Enriquez as Sherman and Drigo Padil as Joel's friend and co-worker. |
Jay Enriquez is Sherman |
Iman Rivera is Jigs |
Note:
Please read our featured post on Cinema Bravo and why Web Criticism isn't always about good and reliable writing:
- http://makemeblush2.blogspot.com/2016/10/cinema-bravo-film-criticisms-execrable.html
2 comments:
Im just curious, what are chito rono's best works?
I've seen feng shui, distracting, as any kris aquino starrer would be.
Dekada 70, feels standard and it didnt't move me as reading the book
Itanong mo sa buwan is charming, but could be because of its age.
-juan
@ Juan:
Hmmm. Interesting question. But Chito Rono's works have always been tight and well thought of, without being too compromisingly commercial.
It is hard to point out his "best work" but - in MY list - the following should represent it adequately: "Private Show" (with Jaclyn Jose); "Eskapo" with Christopher de Leon and Richard Gomez; "Feng Shui" (inspite of Kris Aquino) is unforgettable; "Dekada 70" was relevant and still is.
My top pick should be "Laro sa Baga" with Carlos Morales, Angel Aquino and Monique Wilson.
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