
"Crazy as a shit-house wreck!"
Frankie calls herself this as it gradually dawns on her that her life is lived by three different personalities. She walks away from her psychiatrist Dr. Oz who himself is a conflicted soul.
Frankie (Halle Berry) is a stripper who occasionally visits her doting mother Edna (Phylicia Rashad) to bring her expensive gifts, telling her of a rose-colored life (that she works in a bank, and is planning to pursue her studies). But when particular situations set her off (old songs, wedding news), she turns into either a child with the IQ of a genius or a racist white girl who thinks of herself as Alice. Now if narratives like this were stranger than fiction, it's because it is based on real events.
Halle Berry bravely takes on 3 personas that at some point (the sudden shifts) show interpretative strains, but is nonetheless a thespic high-wire act. Unfortunately, the film is Ms. Berry staring straight into the camera and saying, "Hey, look at me act!" which is a bit off-putting. Stellan Skarsgard (of Von Trier's "Breaking the Waves") matches Berry's insightful depiction as Frankie's seemingly spaced out shrink who's coasting through a difficult marriage.
"Frankie and Alice" is directed by Geoffrey Sax who did the horror flick "White Noise" before.
The events of our past have a way of haunting us back and the subconscious copes in ways we cannot fully fathom. Halle Berry received a Golden Globe nomination for her part. Oscar didn't quite embraced her this time, but who cares? She is already Oscar's first african-american Best Actress ("Monster's Ball", 1992).




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