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Don McKay (Thomas Haden Church) lives a solitary life in the big city. A janitor at a college, he regularly sends letters to a girl back home – one who never replies. But one day, after 25 years, he gets a letter from her pleading him to come home. He does so, but with much uncertainty and he finds Sonny (Elisabeth Shue) stricken with a terminal illness. She declares her love for him. “Stay with me,” she begs. But something is amiss. Sonny’s caretaker Marie (Melissa Leo) speaks with a delectable sarcasm, and Sonny’s doctor (James Rebhorn) talks to him with contempt! Moreover, Sonny’s photos seem altered. What has he gotten himself into?
A powerful ensemble of Oscar nominees trade thespic punches with lustful brio. Thomas Haden Church gets himself a role that showcases intensity. He however seemed dazed during most of his screen time. We’ve missed Elisabeth Shue, nominated for an Oscar in “Leaving Las Vegas”, on the big screen, and she returns like a schemy Blanche Dubois – exquisitely beautiful after all these years, yet dangerous and unpredictable. Then Melissa Leo, nominated for an Oscar for her spotlight-hugging role in “Frozen River”, is the prissy caregiver who walks around with a dangerous undercurrent. She must have loved her part so much, it showed! But why is she billed “Melissa Chessington Leo”? What gives?
The movie keeps you guessing. It’s a modern-day, lopsided Agatha Christie, infusing suspense with a hint of humor. But then is it a black comedy – or just a suspense thriller? Sometimes you aren’t sure anymore. Director Jake Goldberger isn't too sure either.
While a doctor is trying to explain the possible cause of autism to a mother, he insists on seeing her husband instead - because it’s a difficult matter to understand. As though women have brains the size of Sarah Geronimo fans. The mother sits up and replies, “My husband is busy, and I graduated from Harvard. Try me!”
In another scene, when a security guard refuses to allow Temple Grandin, played by Claire Danes, entry into a cattle ranch because it has an all-male policy (you’d have thought this was the 1920’s instead of the 70’s), Temple gets into oversized cowboy suit, rolls all over mud, wears a dusty cowboy hat, then drives through the entrance gate like a tired slouched farm hand with hardly a glance.
When Temple, who is autistic – described by this idiot of a doctor as an “infantile schizophrenic” and puts the mother to task for being cold and probably refused to touch her daughter just when the child needed her most – braves the automatic door of a store, a woman jumps in to help her through. She reasons, “I am autistic.” The woman replies with: “Don’t worry, dear. My child is artistic, and he has this thing with automatic doors as well.” I was laughing out loud.
There is much to inspire us in Temple Grandin’s difficult life. She underlines the fact that, indeed, she is “different, not less!” She doesn’t have the charm of the cinematic Forrest Gump but she lives and breathes the same air we breathe. She is real. And just when you thought that autistic persons are condemned to a life inferior and subservient to the whims of “saner” individuals, think again!
Claire Danes plays the amazing story of an autistic girl who designed the cattle system being used by more than half the cattle ranches in America – a system that allows a more “humane” treatment of cows before they are eventually slaughtered off. And though I am a bit prejudiced against the bigoted Ms. Danes – remember her sound bytes against Manila when she filmed “Brokedown Palace” way back? – there is no denying her excellent work here. Julia Ormond ("The English Patient”) plays her long suffering mother, and David Strathairn is her Science teacher, the one who helped her cultivate a scientific reasoning. Danes, Ormond, and Strathairn won an Emmy for their performances in this spectacular roller coaster biography, directed by Mick Jackson. Catherine O’Hara also got a supporting actress nomination in a mini-series or movie. It received a total of 15 nominations and eventually won 7 of them. Bravo, HBO!
When an autistic person is capable of finishing a degree – Master of Science in Cattle Husbandry (not sure if this was the exact title) – it enjoins the formidable power of the human spirit to overcome whatever odds we face.
I do have a question: Where was Temple’s father during all of her struggles – or moments of exuberance? He was never mentioned, but once.
Claire Danes has been having a “dry spell” the past few years appearing in only 1 movie in 2004 (“Stage Beauty”), two films in 2005, NONE in 2006, three in 2007 (“Evening”, “Stardust”, “The Flock”), one in 2008 (“Me and Orson Welles”), NONE in 2009, and eventually mustered one TV movie for 2010 – “Temple Grandin” with nothing else in the horizon from here on. “Temple Grandin” should boost her dwindling career. And hope that she learns from her bigotry somehow – coz this career stagnation is karma working its way on a talented person. But then who cares about being unemployed when your husband is “cutie patootie” (her description) – Hugh Dancy. I absolutely agree. What a lucky biatch! As far as I can remember, Danes is considered "persona non grata" by the city of Manila.
Is “Temple Grandin” melodramatic? Heck no. It’s funny, in some ways "edge-of-your-seat" due to Temple's antics, but it is also solid entertainment that everyone can learn from and thoroughly enjoy as well.
P.S. And I stand corrected, I meant "Juliette Binoche" - not Julia Ormond. Thanks for the correction, redheaded.
Movie: Someone’s Knocking at the Door
The images in each frame captivate, and each character is a junky. But they’re really medical students. Errr... something sounds incongruous there, right? But director Chad Ferrin weaves a tale so far out, then beautifully piece them together like a harmonizing tapestry of psychedelia – and we have a work that defies genre!
Here are ingredients to this scrumptious broth: A junky gets raped to death (“… by a phallus 15 inches long that perforated his colon”). Soon thereafter, his mates follow suit! You bet, everyone that croaks gets “raped” – guy or girl! Then we get a flashback of these sex-crazed med students – they uncover a video and sound recording of a bungled hypnosis experiment which involved a pair of schizophrenic serial killers. Add a dash of a hallucinogen to the broth. The film is absolutely entertaining and mortifying. Some scenes are in fact too disturbing.
Moreover, the film’s cast is easy on the eyes: Noah Segan, Andrea Rueda, Jon Budinoff, Silvia Spross, and Jordan Lawson (who gets to lie down “dead” and naked through most of his screen time)!
With lots of sex and naked bodies, you somehow wonder if Russ Meyer had a hand in the film production!